I can’t get over the fact that the persian’s just like ey erik, how you doin’ buddy? and casually accepts all of the subsequent death threats and is pretty chill about his sort-of friend living under an opera house. but then when it gets down to it, he’s just like oh fuck this, that fucker needs to stop fucking things up, this ends today, and just goes and contributes to shutting that whole operation down.
the fact that he’s friendly with and genuinely cares about this ass-hat, but can still determine when a line has been crossed and turn against his former friend for the good of everyone just astounds me
i just feel like this isn’t a character dynamic we see a ton of and I need more of it.
Published
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