We know from decades of linguistic research that all people express themselves in ways that can convey an affiliation with a particular group or identity. We know that gender identity, sexual orientation, regional background, socioeconomic status, racial/ethnic affiliation, level of education, age, political beliefs, and many other social categories can be indexed through manipulations of voice quality, pitch, rhythm, vowel quality, consonant articulation, etc.

Crucially, it’s not just the minorities of these categories who use such features; majority groups make use of these indexical features as well. For example, straight male speakers of American English are known to have deeper voices than straight male speakers of many other languages; even prepubescent boys in the US have been documented to have significantly lower pitch than girls of the same age, even though the two groups are physiologically indistinguishable in their throats. This trend has been getting more extreme since the 1960s, with American boys getting deeper and deeper voices with each generation.

This means that inviting a gay man to talk about how his voice conveys gay-maleness is (scientifically speaking) just as valid as asking a straight man to talk about how his voice conveys straight-maleness, how a white person’s voice conveys whiteness, how a middle class person’s voice conveys middle class-ness, how a college-educated person’s voice conveys education, etc. But I can say I’ve never heard of such an interview from your program or any program; this is only something that gets asked of women, gay men, African Americans, immigrants, and other people who are in a socially un(der)privileged position.

The questions that get asked are “why do gay people/women have to talk like that?” or “why can’t blacks speak (what we consider) proper English?” instead of “why do straight people/men have to talk like that?” or “why don’t whites know how to speak (any variety of) African American English?”, etc. There is no logical reason why we should ask the questions like the former two and not questions like the latter two.

Not only is it inaccurate to label minorities as the only ones who convey their identities through their speech, it also perpetuates a misguided belief that there is a “natural” way to speak, or a way to speak that has no “styles”. This concept of “naturalness” or “authenticity”, which came up many times in your interview, assumes that only some people (i.e. minorities) are adopting “styles”, deviating from “natural” speech in order to convey their identity.

This myth comes up all the time with another linguistic feature brought up in the interview, “vocal fry”. This type of voice quality, which linguists call “creaky voice”, “glottalization”, “laryngealization”, or a host of other terms depending on the specific acoustic characteristics, appears to index a number of social categories in American English: younger age, urban background, and (lately in the popular media) a sort of femininity. Ms. Sankin’s technical description of the voice quality was not incorrect (it does involve a slow vocal fold vibration with often incomplete closure), except for the part where she said it is harmful or unnatural.

Endless popular articles and podcasts (and your interview) describe “vocal fry” as a deviation from a natural voice quality, that it can be physiologically harmful to the vocal folds, that it grates on the ears, that it’s a “style” coming from singers of pop music, and that it should be avoided in order to be successful in life. None of these claims has any basis in reality. In truth, these voice qualities are used extensively in languages like Danish, Vietnamese, Burmese, Hmong, and many indigenous languages of Mexico and Central America (such as Zapotec, Mazatec, and Yukatek Maya), far more than they are in English – and as you might imagine, speakers of those languages do not suffer from medical problems in the throat any more than speakers of other languages.

Excerpt from Open Letter to Terry Gross, by Sameer ud Dowla Khan on Language Log

This whole post (and its comment section) is worth reading – it’s written in response to an interview on NPR Fresh Air about a documentary on “sounding gay” but also stands well on its own.  

(via fools-game)

omg i was thinking about this few years ago about the deep voice thing!

(via consensualbuttflicking)

It’s been a while since I’ve regularly read Language Log (not sure why, just added it to my RSS reader again), but they are pretty much always great, and this is especially great.

(via imathers)

@baalakavii I know I’m tagging you in a bazillion things but if you haven’t already seen this, think you would appreciate it

(via swallowtailskies)

madhamlet:

titleforablog:

In loving memory of Stephen Hillenburg here is a list of my favourite Spongebob Squarepants moments

  • FIRMLY GRASP IT
  • HE’S Squidward, HE’S Squidward, YOU’RE Squidward, I’M SQUIDWARD
  • The panty raid
  • Spongebob constantly declining water in Sandy’s air bubble house because he’s too polite to tell her he needed it was so relatable
  • Spongebob and Patrick raising a baby clam
  • 1% evil, 99% hot gas
  • Mr Krabbs breaking both of his legs trying to close a squeaky window
  • HE WAS NUMBER ONE
  • The audience turning into fish sticks at the Fry Cook Games
  • My NAME’S NOT RICK
  • Sweet, sweet victory!!!!
  • Once, there was an ugly barnacle. He was so ugly that everyone died. The end.
  • The entire Rock Bottom episode
  • That episode when Spongebob forgot how to make a Krabby Patty because Bubblebass was an asshole
  • Bubble Buddy
  • Mystery the seahorse
  • Do you smell it? That smell. A kind of smelly smell. The smelly smell that smells…smelly
  • The perfume department
  • LEEDLELEEDLELEEDLELEE
  • *Angelic music* Plastic!!!!!!
  • The fish’s Picasso Scream-like reaction after smelling Spongebob’s breath
  • MY LEG
  • The pioneers used to ride these babies for miles!!!
  • CHOCOLATE
  • The cheap birthday party Mr Krabbs threw for Pearl
  • The magic conch
  • Squidward’s thighs after eating an entire room full of Krabby Patties
  • Nematodes
  • All of the dumb Texas jokes
  • The juice flooding the retirement home
  • *Inflated Mrs Puff voice* Spongebob……..why……….
  • The depressed fish making the same soulless face as he commutes to work, sits in his cubicle, and stares out of his window before his wife calls him to bed
  • This grill is not a home
  • NO, THIS IS PATRICK
  • The narrator with the French accent
  • The audience losing their shit at Spongebob mopping the floor after the talent show

Please feel free to add more!!

For your consideration:

•Krusty Krab PIZZA

•Tall, dark, and handsome

• THE FRY COOK GAMES

•I wumbo, he wumbo, it’s first grade spongebob!!!

•P.O.O.P-People Order our Patties

•E.V.I.L- Every villian is lemons

•”IM UGLY AND IM PROUD” “so that’s what he calls it”

•Weenie Hut Jr’s and “I slipped on an ice cube and got covered in boo boo’s”

•The dash singing—the mash ringing—tHE HASH SLINGING SLASHER

•WHY SPONGEBOB?? WHY DIDNT YOU WRITE YOURE ESSAY!!???

•”That’s his…eager face”

•”The boy cries you a sweater of tears…and you kill him”

•Doodlebob—Mee hoy Minoy

•The striped sweater song

• Happy Leif Erickson Day!! “Hinga dinga durgen”

• “What does claustrophobic mean?” “It means he’s afraid of Santa Claus”

• Spongebob and Patrick sitting in boating school dying with laughter over the number 24

•Hiiiii Kevin

• “East? Ohhhhh, I thought you said Weast”

swingsetindecember:

i wish more people said that being single is normal

and you’re not going to meet and marry someone

and that’s fine

and if marriage happens, it happens. and it’s not the next big ticket to check off in life’s checklist

because not everyone meets someone they want to marry. and that’s normal

you’re not broken or unfulfilled if you are single

Saint-Just’s post-revolutionary dreams

obscurehistoricalinterests:

Although his image is inseparable from the turmoil of the French Revolution, Saint-Just envisioned a time when it would come to an end, and he would no longer be necessary. How did that time look to him?

His friend Gateau reports that Saint-Just sighed after the end of the Revolution to … enjoy the repose of private life in a country haven, with a person whom the sky destined as his companion, and whose mind and heart he himself had liked to form, far from the poisoned eyes of the inhabitants of the city.

Lejeune reports as well something similar he heard from Saint-Just, one year before being chosen for the Convention: For me, my ambition is to live one day in the countryside, within the limits that nature has marked. A wife, children for my heart, study for my leisure, my superfluous for my good neighbors if they are poor.

This young man, the icy, living blade of the revolution, wanted nothing more than to return to his privacy, form a family and live a simple life somewhere in the countryside. It was not to be.