Inktober Day 1–The Old Man

eirenical:

HI, everyone!  *waves wildly*  I make no promises here, but I thought I’d try my hand at this, this year.  ^_^ 

From this post, Characters of the Forest set: Inktober Day #1 – The Old Man


“I know a man who stepped off the path and didn’t find his
way home again for ten years and a day.”

“I heard that an entire legion of soldiers lost their way in
there and became so confused they slew each other.”

“Don’t forget the old man!”

“Who could forget the old man?  Isn’t that how LeClerc busted up his leg last
month?  Looking for that cursed treasure
of his?”

“And we all know what happened to the miller’s boy.”

Sage nods all around.

Cosette had inched around the knot of travelers huddled
around their watered-down wine in their rickety chairs, sharing stories none
were present for as though they were experts.
Everyone in these parts had their stories.  The children knew them all by heart, told
them in hushed whispers behind their hands at their lessons or in bold dramatic
renditions around their hearth fires while the adults were busy with more
important things.

Yes, everyone had their stories.  Everyone knew someone—a cousin, a friend, a
third cousin twice removed—who’d been lost, or changed so irrevocably that they
may as well have been, on a journey through the woods.  So, anyone with any sense knew you didn’t go
into the woods alone, you didn’t go unguarded, and, above all else, you didn’t
go at night.  Mothers in these parts were
less afraid of their daughters going off to canoodle with the boys under the
moonlight because they more afraid that those daughters would wander into the
woods and come back as someone very, very different.  Something different.  If they came back at all.

Then again, Cosette had a story of her own.  For if Cosette’s mother had heeded those
stories instead of dismissing them as they’d passed through all those years ago,
Cosette would have a family, still.  But
her mother had gone into the woods—Cosette had been too young to understand why—and
never come back out again, leaving Cosette all alone.

Alone.

You didn’t go into the woods alone.

The fairies, the wolves, the hermit, the dark spirits of
soldiers still fighting a lost fight, one of them would get you in the end.

Cosette’s hands began to shake.  The bucket.
The bucket had been so heavy, and she’d been so tired.  She’d only sat down for a moment, just to
rest her arms.  She’d sat down in the
middle of the path.  It had been dusk,
but still light enough that she should have been safe.  If she hadn’t sat down.  If she hadn’t fallen asleep.  And now… and now…

Cosette was no longer alone.

There was a man in a yellow trench coat crouched just off the
path… and he was lifting her bucket, turning it this way and that, as though it
weighed nothing.  

But Cosette was more afraid of returning to Mme. Thenardier
without the water she’d been sent for, or worse, without the bucket, than she
was of the old man of the woods.  Hiding
her shaking hands in a skirt so threadbare it barely hid her legs on a good day,
Cosette cleared her throat.  “If you
please, sir, I’ll be in terrible trouble if I come home without the water in that
bucket.”

The man slowly lowered the bucket to the ground and turned to
face Cosette.  The hand he reached out to
Cosette with was large, callused, and terribly rough, but it was gentle when it
cupped her cheek, a touch so light even a baby bird would have felt safe in its
embrace.  And it was warm.  He was warm.
Cosette didn’t know how she’d missed that before.

“I think it is rather your mother who should be in terrible trouble
for sending you out with such a burden so close to dark.”

Cosette drooped, all the warmth leeching out of her with those
words, as her mother’s loss still leeched the warmth from every thought it
touched.  Her voice barely a whisper, she
said, “Begging your pardon, sir, but the Thenardier is not my mother.  My mother was lost in these woods, herself,
when I was still very, very young.  She
walked into them one night and never walked out of them, again.”

The old man froze for a moment, stilling in his place like a
creature startled by a loud noise.  Thenardier.  The magic word that had frozen him in his
tracks.  The old man’s mouth worked
around the syllables, testing them, drawing them out.  Finally, he let out a deep, juddering breath
and turned to look upon her once more.  “Your
name is Cosette, then, is it not, child?”

Cosette’s eyes widened, fear creeping in around the edges at
that pronouncement, for who but a spirit could distill such information from
simply conversing with her?  All she
could do was nod in response.  No words
would come.  But, at that nod, the old
man’s face broke into a smile, bringing back all the warmth that had been lost
from the conversation moments hence.  “Then,
Cosette, it is glad that I am to have found you.”  And as warm as those words were, they were
nothing to the beauty of the ones which came next.  “You need not mourn your mother any
longer.  It is she who sent me to find
you.”

You didn’t go into the woods alone, you didn’t go unguarded,
and, above all else, you didn’t go at night… but as Cosette felt herself lifted
to perch on the broad shoulders of the old man as though she weighed as little
to him as her bucket, she realized: she was not alone, she more well-guarded
upon these great shoulders than she had ever been before, and the old man’s yellow
trench coat was warmer than any sun.
Certainly, though, this night in the woods had changed her.  That much was as true for her as it had been
for the miller’s boy.  But for Cosette,
it had changed her for the better.

She was no longer afraid, nor, she thought as she curled
into the old man’s warmth, would she ever be, again.

punkamis:

all the amis meet up in the afterlife and it’s tearful and they all try to comfort enjolras but courfeyrac, in the midst of this, does a headcount and he just . ‘where’s pontmercy??’ and they all look around at each other and bahorel ’…….that motherfucker.’ and enjolras just ‘are u Fucking Joking PONTMERCY IS ALIVE’

-marius and cosette’s wedding is very emotional for courfeyrac and he pretends to be crying tears of joy (which he is, but that’s besides the point) and everyone can kinda see the sadness there too and he’s just ‘awe man i would’ve gotten the best suit’ and ‘damn Right he doesn’t have a best man cause it’s ME SON. I’M THAT BOYS BEST MAN.’ and once he’s run out of jokes and his eyes are still teary and he just sadly smiles and ‘i wish i could’ve been there, y’know.’

-valjean arrives and he has to find his family but the barricade kids are waiting there for him and they meet him and shake his hand just to thank him for his help in the revolution and courfeyrac makes himself be last and he thanks valjean for saving marius so he could have a life

-the day baby fantine is born courfeyrac is popping bottles ‘THAT’S MY NIECE!!!!!! THAT’S MY NIECE LOOK AT HER BAHOREL LOOK SHE’S AN ANGEL!!! A TRUE GEM!!!!!!!’ ‘jehan, i love you dearly, but this is truly the most beautiful girl in all of paris.’

-and they have a son named jean which makes jehan’s chest puff up a bit and courfeyrac is SCREECHING ‘LOOK AT HIM! THE MOST HANDSOME MAN IN FRANCE! MY OWN SON, IF YOU WILL.’ and courfeyrac sees that the baby’s middle name is courfeyrac and he starts crying and he, “that- THAT’s MY NEPHEW!!!!” and he’s just . “do you think they can feel my love from here??”

-cosette passes away first and courfeyrac waits alongside fantine and valjean and he lets them have their reunion and once they’ve calmed down jvj draws attention to courfeyrac and courf just ‘hello i know we’ve never met but i’m felix courfeyrac-’ and cosette lights up ‘you’re Courfeyrac?? oh marius talks so highly of you it’s such a pleasure to meet you’ and courfeyrac is beaming and he thanks her for giving marius a good life and they hang out from time to time

-and like . an estimated 30 yrs later jvj and fantine and cosette and eponine and all the kids are waiting and marius shows up and all the kids are just SCREMAING at him like HOLY FUCK SON!!!!!! U GOT UR GAL!!!!! UR ASS GOT SAVED!!!!!!!!! and you can hear a ‘MOVE, GET OUT OF MY WAY.’ and courfeyrac bursts through the cluster of boys and he jumps on marius ‘HEY YOU FUCKIN GEEZER I MISSED YOU.’ and marius just squeezes him as hard as he can and god marius is CRYING and courfeyrac doesn’t let go of him for like 3 minutes until he remembers others are here to see him and courfeyrac waits semi-patiently for him to meet fantine and reunite with cosette and jvj then after marius rushes back to courfeyrac so they can talk because it’s been far too long and he missed his best friend

pilferingapples:

–I don’t know why it’s taken me until that tiara post , but I just realized that probably most  of the fake jet that Valjean’s factory is making is going into  mourning wear  

It wouldn’t necessarily have been All Of It– there are a lot of reasons to use a nice pretty bit of black glass beading, after all– but the main reason for gobs of black accessories  would be mourning wear

Jean “let me just hang out at the funeral services, this is what we call A Good Time” Valjean is more or less in the business of death jewelry 

Everything Valjean does ever is Goth As Fuck 

pilferingapples:

I can try! it’s gonna be veeerrry rambly but I’ll try!

This is a concept that Hugo mentions a few times, that Valjean loves Cosette like or as a mother would, as well as like a father: 

… (Valjean) felt inward yearnings, like a mother, and did not know what they were, since the strange and great motion of a heart beginning to love is incomprehensibly sweet. (2.4.3, FMA) 

When she was dozing at night, before going to sleep, since she had no very clear idea of her being Jean Valjean’s daughter, and that he was her father, she imagined that her mother’s soul had passed into this good man and come to live with her. 
When he sat down, she would rest her cheek on his white hair and silently drop a tear, saying to herself “Perhaps this man is my mother!” (4.3.4, FMA)

Hugo says this, of course, because he thinks there’s a difference  in the love of a father and the love of a mother. 

Under a cut for length and discussions of  canon era and canon era relevant Gender Issues:

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