pilferingapples:

grumpymurdernerd:

So, you know how it says Feuilly “earned with difficulty 3 francs a day” in the Brick? Three francs in 1832 in today’s money, accounting for inflation, is $25USD (€22).

Given that labor unions were illegal at that time, it’s also safe to say he was probably working at least 6 days a week. 25×6×4= Feuilly made approximately $600USD a month (€529). The average one-bedroom apartment where I live is twice that much.

I also found out 3 Francs back then were also the average wage for 30 hours of work. Which, if you struggle with numbers, is more hours than there are in the day.

TL;DR: Tired, overworked Feuilly struggling to pay rent despite holding down so many jobs he doesn’t even have a second to freaking breathe? Canon.

Not to take away from Feuilly’s  working-poverty situation, which is very real, but rent was probably the least of his concerns; cheap rent in canon-era France was very  cheap.  The rooms Marius rents at the Gorbeau house for thirty francs a year (and another 36 a year for the concierge to act as servant) are pretty bottom-of-the-barrel–shabby, with no fireplace or window. Feuilly makes more than Marius at this point in their lives; he most likely lives somewhere nicer. The grisette in Eugene Sue’s Mysteries of Paris,  in the chapter @tenlittlebullets translated here (and which is pretty accurate on costs), is paying 12 francs a month for rent, and feels confident enough of her home to suggest herself as a model of economy–she’s going to be in a nicer little room than Marius has at the Gorbeau place, or may be paying for more furnishings, etc. Feuilly makes about twice what she makes; he could surely find a nice, clean apartment for one with an oven, and some sort of natural lighting, for a rent that wouldn’t be too painful to him.

(Also it’s very  likely he would be sharing rent. Young men of all social classes had roommates; it was practical in a lot of ways!) 

What’s going to be eating Feuilly’s lunch , economically speaking, is lunch –food was way more expensive, proportionately. Sue’s grisette spends 12 francs/month on rent, but 23 francs a month on food–and that’s only eating the cheapest vegetables, tubers, and bread she can get, along with “extras” like butter and vinegar–no meat, no sugar, no cheese, no coffee or tea, etc. Firewood and clean water would be another expense, and one that could get very pricey in the seasons when they were most needed. Feuilly is making about twice as much as the grisette here; he can probably afford his water and firewood without too much strain–but he’s going to have to be tracking every sous spent on food and consumable utilities to keep his budget intact. A friend stopping by with the equivalent of takeout pizza to share now and then, or offering to pay the concierge for an extra load of firewood while they’re there,   would be helping him out a good little bit. 

(It should also be noted re: Feuilly’s wages that he is a skilled, trained artisan at the point where we meet him–hence his slightly-higher-than-average wages. He’s certainly still working long hours, but he’s also going to have a few hours to spend in the evening, and is probably  getting a decent lunch and dinner break at work, going by patterns in other shops. He’s overworked! but not 30-hours-a-day overworked.)

–All of which is just to say that yeah, canon-era Feuilly is absolutely living on a lean budget and likely worries about making the cost of necessities a lot! but his worries are likely to be less about rent, which would be a fixed  cost for him, and fairly cheap at the time, than firewood, water, food and clothing, which were expensive and fluctuated. He can make it work! but it’s not easy. 

pandamito:

and here some Game of Thrones AU headcanons:

ok probably this is going to be very long

ok probably it would be better if I wrote a fanfiction

  • Jean Valjean broke the law by stealing and they sent him to Castle Black to join the Night’s Watch.
  • Javert is also a watcher but he chose to become.
  • Also Javert is a bastard but it’s better if no one calls him that.
  • During a mission behind the Wall, some watchers try to abuse of a wildling who they had captured, but she fights against them and kills some of them.
  • Valjean is there and sees the scene so he tries to stop them but unfortunately he hits Fantine.
  • Angst.

Keep reading

pripara-pesbian:

Toho co, Ltd, Les Misérables

©

Toho co, Ltd.

Among several musical productions in 2013, Les Misérables, as was expected, drew most attention. As is well known, it is a West End musical that has remained popular since its Japan premiere in 1987. This time, based on the new version that started off in London back in 2009, drastic revisions were made in the staging and it was presented to the Japanese audience for the first time. Due to the expectations from the musical fans and the extraordinary hit of the film version of

Les Misérables

in December 2012, the new version aroused the interest of people who usually do not go to see musicals. Thanks to these factors, the performances at the Imperial Theatre in Tokyo between May and July, and the following tour to Hakata-za Theatre in Fukuoka, Festival Hall in Osaka and Chunichi Theatre and Tagoya, and the triumphant return to the Imperial Theatre were all enormously successful.

Laurence Conner and James Powell directed the new version of Les Misérables, and it was a visual production that drew fully on projected images (designed by Matt Kinley). It took a concrete and clear-cut approach that stimulated the audience’s imagination through the use of minimal set and dramatic lighting, which was exactly opposite to the old version. It was accessible to the audience who came to see the show after seeing the film version. It was accessible to the audience who came to see the show after seeing the film version. On the other hand, considering the feelings of the longtime fans of ’Les Mis’, the co-directors added detailed directions that were unique to the Japanese version, and this effort turned out to be effective. It reminded us that musicals are live stage performances and therefore they evolve by receiving influence from the audience.

Review by Hitomi Hagio, translated by Sumida Michiyo.

From the the Japanese Centre of International Theatre Institute’s Theatre Yearbook 2014. This, along with all volumes published in the years since, are available to read for free in English at http://iti-japan.or.jp/en/theatre-yearbook/.

Les Amis Couples and their Pets

just-french-me-up:

  • Enjolras and Grantaire: Enjolras is neither a dog nor a cat nor a houseplant nor a cactus person, but Grantaire brought home a sodden kitten one night, and he accepted to keep it until they found it a suitable home. Meownet is still there 2 years later because it turns out he was in a suitable home.

  • Combeferre and Courfeyrac: They have a big goofy golden retriever that insists is a lap dog, and Courfeyrac is positively in love with his good boy. Combeferre definitely read a dozen books about dog training and keeps teaching the doggo new tricks. Courfeyrac has one of those instagram accounts dedicated to cute pics of his dog, because everyone need a good boy in their life.

  • Joly, Bossuet and Musichetta: Between Joly’s and Bossuet’s allergies, the couple finally settled on a beautiful parrot. She’s kind of a diva, loves jazz and pop music. Grantaire teaches her new swear words everytime he comes around, and Musichetta is left wondering why her parrot keeps saying “Eat shit”

  • Jehan and Montparnasse: Montparnasse is a true cat dad. Armani is a black british long hair, she’s lush and stunning and she knows it. She and Parnasse are one and the same. Jehan keeps knitting her little socks and coats, but she never fails to destroy them while Jehan watches in adoration.

  • Feuilly and Bahorel: Okay so they either have the tiniest dog or the BIGGEST FUCKING DOG. Either way, it’s dog brain tells it it’s a lap dog. It’s the kind of dog who brings Feuilly toys when he’s sad or stressed because “!!! Look hooman!! Toys make me happy so they’ll make you happy!!” It also goes everywhere with its blanket, for emergency naps.

  • Eponine and Cosette: Cosette has a white fluffy bunny Valjean bought her one day. Eponine doesn’t really get it, bunnies don’t do anything, they just kinda exist, but she’s nice to pet. Cosette talks to her constantly, and when asked what she tells the bunny, she says: “D’you know why her fur is so fluffy? It’s because it’s full of secrets.”